STILLS and THINGS
2007-2009
"Stills" plays with the variety of possible ensembles that we identify and accept as a authentic, evident situation. Something that seems to make sense in its limits of time and context.
"Things" looks for the undeniable magic inherited in all things. The useless effort to define them, to capture their essence.
read text
see work
2007-2009
"Stills" plays with the variety of possible ensembles that we identify and accept as a authentic, evident situation. Something that seems to make sense in its limits of time and context.
"Things" looks for the undeniable magic inherited in all things. The useless effort to define them, to capture their essence.
read text
see work
SIEDLUNG
2003-2007
Wichtig war es mir die Bezüglichkeit der Bauten zueinander darzusellen, in der Überzeugung, daß formale, räumliche Bezüge Hinweise auf soziale Beziehungen sind, die von unserer Lebenswelt berichten.
read text
see work
2003-2007
Wichtig war es mir die Bezüglichkeit der Bauten zueinander darzusellen, in der Überzeugung, daß formale, räumliche Bezüge Hinweise auf soziale Beziehungen sind, die von unserer Lebenswelt berichten.
read text
see work
NEUE LÄNDER
2007
A visual survey on the renovated urban space in the newly-formed German states, 18 years after the reunification.
Where are we today? What is the actual state of affairs – and does the shape whitness social changes and nowadays ideas of society?
read text
see book
see work
2007
A visual survey on the renovated urban space in the newly-formed German states, 18 years after the reunification.
Where are we today? What is the actual state of affairs – and does the shape whitness social changes and nowadays ideas of society?
read text
see book
see work
BRASIL
2001-2005
In BRASIL I made an effort to produce abstract pictures through representational exposure. Pictures without words. No context but the geographical.
read text
see work
2001-2005
In BRASIL I made an effort to produce abstract pictures through representational exposure. Pictures without words. No context but the geographical.
read text
see work
Dinosaurier
2001-2003
Things I can't let go. I thaught that's the way photographs should look like.
see work
2001-2003
Things I can't let go. I thaught that's the way photographs should look like.
see work
ROMA
+ Text: "Roman Pieces" 2009
21x11,4 cm
28 pages, 23 pictures
Edition of 200
100 signed and numbered
Is there any basic necessity, imperative in what you do?
I don‘t know. I‘m motivated to do certain things and I have the impression that it‘s good to do it, but then again I see that I could do something else instead and it wouldn‘t be less good or reasonable. It all depends on the criteria you set. (...)
read text
see book
see installation
+ Text: "Roman Pieces" 2009
21x11,4 cm
28 pages, 23 pictures
Edition of 200
100 signed and numbered
Is there any basic necessity, imperative in what you do?
I don‘t know. I‘m motivated to do certain things and I have the impression that it‘s good to do it, but then again I see that I could do something else instead and it wouldn‘t be less good or reasonable. It all depends on the criteria you set. (...)
read text
see book
see installation
Essener Tagebuch
2007
2007
42 x 29,7 cm, 32 pages
edition of 3
A kind of diary: to-do lists and grocery adds. Collected in one year.
see book
